Art Space 2000 Photography
1st Floor Room 4

 

      
 





 

 

Louvre
Jerome Leon Photography

Web Site   France

I use to shoot with an "old" DSLR Nikon D100 and prefer to switch my shots into B&W or sepia in order to see more volumes and curves instead of disturbing colors.
The main part of my work is done in the street of Paris. Cause there is too much things to capture and moment to keep, but anybody could have the same feeling anywhere.


 

Red Cloud
Dwain Snyder / Equestrian Images

Web Site     United States

We specialize in the following services:
... Editorial and Commercial Location Photography
....Unique Portraits of your Favorite Equine at Home
....Exceptional Graphic Design within the Equine Industry
....Wedding Photography
....Fine Art 

Please visit our website to view our many galleries.

 Impressionistic Springtime
 Dubi Roman Impressionistic Photography

Web Site      Israel

Dubi Roman has always loved Impressionist painting. He sought a way to express an Impressionist vision of nature through photography - to see things in terms of light. Dubi Roman not only captures the play of light in the fields and forests; the shimmering images of a physical landscape. His works also suggest a different light. The stretches of wild flowers in the wood, the dark trunks of trees, are suffused with a more mysterious light; a spiritual radiance emanating from Nature.

This mystical light can be traced to Dubi Roman's roots in Safed and the Galilee. Born in Haifa in 1957, his father's family has lived in the mystical city of Safed in the Upper Galilee for five generations. His grandfather Yitzchak Roman was a Safed artist and sculptor. Although Roman lives in the city, he constantly escapes to Nature for sustenance. As is evident in his work, he particularly loves the forests. And yet his purpose is not simply to portray Israeli scenery, but to go beyond the specific place to the universalism of nature. To achieve serenity of spirit, the harmony he has been seeking all his life.

As the Impressionist painters went out of their studios to paint Nature, Dubi Roman achieves his surfaces, not primarily by manipulation of the image in the darkroom, but in the very act of taking the picture outdoors. The first exposure is taken slightly out of focus, and is followed by a second shot from a subtly different position. "A tiny movement of the body, and I can capture nuances that change the entire reality," says Roman. "I can never entirely predict the final image. Many elements come together. Many gates are opened
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1 st Floor
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